www.ScreenplayClass.com So the problem with a premise is that it’s a statement or a fact that can be proved. Which means that if people write boring screenplays where they try to prove their point — and we’ve all seen those movies and we’ve read them. So I’ve sound that if we reversed it and we did it in a Socratic method and asked questions to financers that the exploration of this was far more interesting than trying to come to a set answer.Marilyn Horowitz, the author of “How to Write a Screenplay in 10 Weeks” and creator of The Horowitz Systemâ„¢, is an award-winning university teacher, a producer, a screenwriter, a script consultant and a successful writing coach. Her students include published novelists, screenwriters and award-winning filmmakers. Her website is www.ScreenplayClass.com

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