Archive for May, 2011


View Part 3: www.youtube.com Dinner for Five – season 4 episode 09 – Kevin Smith, Jason Lee, Stan Lee, Mark Hamill and JJ Abrams discuss Alias, MI3, Tom Cruise, Star Wars, Comics, Lost, Regarding Henry, The Incredibles, Kiss, Auditioning, Mallrats, screenwriting, Batman, Joker, Chasing Amy, Enemy of the State and Clerks.

The Writers Store

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An instructional tutorial video demonstrating how to customize your toolbar for FINAL DRAFT version 8 for your Windows computer. www.finaldraft.com/fd

The Writers Store

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Watch us LIVE on alternating Thursday nights, 7.30PM UK time: www.productionoffice.org Dean Craig, screenwriter of ‘Death at a Funeral’ gives The Production Office viewers advice on screenwriting and mistakes to avoid along the way. To see more of this interview and for other filmmaking videos, check out our channel!

The Writers Store

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www.marilynhorowitz.com Screenwriters are obsessed with structure. Bill Goldman said once the three things you need to know about screenwriting are structure, structure and structure. And so structuring a screenplay is really the first thing you’re taught because screenplays, unlike fiction, happen in a certain amount of time and a certain number of things have to happen in that amount of time or you don’t have something that walks, talks and smells like a screenplay. So Syd Fields wrote a wonderful book in which he gave writers sort of the first insight about how they could just do this. And I think it was a wonderfully helpful book. Not for everyone, and it didn’t really — it was complete enough for me. What I found was that when writers would use his system they would kind of try to force their characters to fit into the plot and that made a tremendous amount of difficulty especially in rewriting because it wasn’t organic, you know. And when characters behave out of character we know that. You can’t fool us. So the idea that you had to find a way to structure the screenplay that seemed more plastic or juicy really became what I understood as a reason why the myth in turning map and structure into something new.Marilyn Horowitz, the author of “How to Write a Screenplay in 10 Weeks” and creator of The Horowitz Systemâ„¢, is an award-winning university teacher, a producer, a screenwriter, a script consultant and a successful writing coach. Her students include published

The Writers Store

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March 19, 1988 www.amazon.com Watch the full program: thefilmarchived.blogspot.com Vidal, whom a Newsweek critic has called “the best all-around American man of letters since Edmund Wilson,” began his writing career at nineteen, with the publication of the military novel Williwaw, based upon his Alaskan Harbor Detachment duty. The novel was successful and chronologically the first of the war novels about World War II. A few years later, The City and the Pillar caused a furor for its dispassionate presentation of homosexuality. The New York Times refused to review his next five books. The novel was dedicated to “JT” After a magazine published rumors about JT’s identity, Vidal confirmed they were the initials of his St. Albans-era love, James “Jimmy” Trimble III, killed in the Battle of Iwo Jima on February 29, 1945; later saying Trimble was the only person he had ever loved. Subsequently he wrote plays, films, and television series. Two plays, The Best Man and Visit to a Small Planet, were both Broadway and film successes. In the early 1950s he also wrote under the pseudonym “Edgar Box”, producing three mystery novels featuring public relations man “Peter Cutler Sargeant II.” In 1956, Vidal was hired as a contract screenwriter for Metro Goldwyn Mayer. In 1959, director William Wyler needed script doctors to re-write the Ben-Hur script, originally written by Karl Tunberg. Vidal collaborated with Christopher Fry, reworking the screenplay on condition that MGM release him

The Writers Store

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