Screenwriting team Dan Hernandez & Benji Samit pitch a new movie every day. facebook.com www.singleservingfilms.com

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Article by Valeria Kennedy

Do you need to know how to write a script and what all do you need to keep in mind when you write a script? Well, script writing is no science! So there are no hard and fast rules. But, then again, you need to be able to connect with your audience with it. In this article, we have discussed a few points that might help you with your script writing.-When you decide to begin with movie scriptwriting, the first thing that you need to keep in mind is the story line of your script.-You need to decide on the characters and the placement of these characters. It may be not necessary for you to draft all the characters in one go, but a lot of people prefer doing it, so choose the path that suits your movie scriptwriting.-The next step in script writing would be deciding an outline; if you do not draft your outline properly, your whole movie scriptwriting activity could be ruined.-Maintain a steady tone. Well, you need to remember that script writing is not just about mixing romance, drama action; it

Article by Free Internet Films 1945

GoArticles reader,Given for your enjoyment, a collection of takes on the breathtaking new “The Book of Eli” film…As post-apocalyptic movie fiction goes, “The Book of Eli” is not a crowd-pleaser like the “Mad Max” cycle nor mad like any of the “Planet of the Apes” films. This film, the to begin with from the Hughes Brothers in nearly nine years, instead is an intense, surprisingly honest study of a man making his way through a wilderness of catastrophic destruction and soul cruelty like a latter-day prophet. The story is couched in neo-Western conditions — a isolated gunman comes to a urban and confronts the dishonest sheriff and his maniacal deputies — so the film fits comfortably inside the confines of mainstream studio moviemaking. And Denzel Washington is solitary of the few Hollywood stars who can pull off a bigger -than-life character who can assassinate a gang of cutthroats with a horrible blade yet keep up an air of saintliness.Boxoffice should be above average for this Warner Bros. Don’t be shocked if the film is embraced by Christian filmgoers as the Holy Bible is seen as the place from which a new civilization can take shape.Allen and Albert Hughes situate their story in an atmosphere informed by realistic -novel metaphors. Landscapes are desolate, and characters hit poses. effective with cinematographer Don Burgess, they commonly drain the color from isolated stretches of desert (with New Mexico doing the honors). As in “Mad Max,” anarchy rules, with havoc, murder and rape seen as practice events. Washington’s Eli claims to have walked west for 30 days, but everything looks like the bomb dropped only last month. After a “diploma scene,” in which Eli demonstrates his lethal abilities when challenged, he wanders into a desert town where a tin-pot dictator named Carnegie (Gary Oldman by way of his patented theatrical sleaze) holds sway. There is no evident reason why he should rule a gang unless it’s because he’s the exclusion to the rule of near-universal illiteracy. When Carnegie learns that Eli possesses a Bible, he agency to win him over to his cause or kill him — whatever it takes to gain control of that book. Both men see the Bible as the key to community regeneration. Caught in the fight between two firm men are Carnegie’s adopted daughter, Solara (Mila Kunis), and mistress Claudia (Jennifer Beals) as perfectly as his henchman, Redridge (Ray Stevenson), who fancies Solara for himself. stuff play out in a straight-forward transform as screenwriter Gary Whitta gives little depth or complications to his characters or story. A viewer will possibly be grabbed less by the showdowns than by the elaborate cinematography, Gae Buckley’s eye-catching manufacture design of a ruined Southwest and an energetic, pulsating score from Atticus Ross (assisted by Claudia Sarne and Leopold Ross). What is it re Earth’s ruin that so inspires artists? I’m at a damage for words, so let me say these right away: “The Book of Eli” is very watchable. You won’t be forlorn you went. “How do you know you’re walking the right way?” he’s asked. After a calamity has wiped out most of the Earth’s population and left ruin and desolation behind, the remaining humans are victimized by roaming motorcycle gangs of hijackers and thieves. This wasteland Eli treks at an ruthless pace. Set upon in an ambush, he kills all his attackers. Washington and the Hughes brothers do a good job of establishing this man and his globe, and at first, “The Book of Eli” seems destined to be serious. But then Eli arrives at a Western town ruled by Carnegie (Gary Oldman), who, like all the citizen overloads in Westerns and gangster movies, sits in the wake of a big desk flanked by a tall bald guy and, of course, a short scruffy one. How are these guys recruited? Wanted: Tall bald guy to get up behind town boss and be willing to sacrifice life. All the water you can drink.We join Carnegie’s abused wife Claudia (Jennifer Beals) and her daughter Solara (Mila Kunis), named, for several reason, after the bring about of all the destruction. She’s a prostitute in Carnegie’s bar, having made the lapse of coming in on Take Your Child to Work Day. Carnegie hurts Claudia to check Solara. How he controls the terrifying bald guy is hard to say.So many other movies are referenced that we very nearly miss it when their hideout house is perforated by bullets in “L.A. That allows countless beams of sunlight to shine in and function as a metaphor.The Hughes brothers have a vivid way with metaphors here, as in their earlier films such as “Menace II Society” and the underrated “From Hell.” The film looks and feels good, and Washington’s piece is the more mysterious the more we think back over it. The fourth film from directors Allen and Albert Hughes, The Book of Eli centers on the Christianity that was at the margins of their previous films-hypocritically misused by Bokeem Woodbine’s bush-crazy marine turned pulpit-pounder turned stick-up man in Dead Presidents, and the sanctimonious grandparents in Menace II Society.”I don’t think God really cares too to a great extent about us, or he wouldn’t have put us here. In The Book of Eli, the whole world’s a blasted ghetto. As in The Road, The End has terminally desaturated the world’s palette. On the road since Year Zero, Denzel Washington’s Eli has become an expert at using his brutally quick axe arm to ward off nomadic bands of highwaymen from his precious consignment : the last copy of the Bible.The other copies have been destroyed as taboo, since pious conflict inspired the nuclear holocaust. That’s not impossible to believe, though it taxes na?vet? that a fragmented society that can’t dig freshwater wells has managed to do away with every other copy of the most everywhere book in the Western world, undoing all of the Gideons’ superior work. As does the adherent Eli attracting Solara-a badly miscast Mila Kunis, who looks like she’s spending a semester abroad in the post-Judgment Day from her vogue school’s co-op program. It’s water and a battery allege that lure Eli down the Main Street of a repopulated ghost town. Carnegie is one of the few survivors, like Eli, old enough to recall the lost world. It’s with cynical messianic intent that he’s been scouring the countryside for a Good Book, which sets up a fight with true believer Eli.The Hugheses once had a black-comic sense to bout their comic-book horror impulses (every line of Menace is a potential inside joke). Here, that feeling is evident only in a hard shoulder stop-off with some unhinged survivalists, an elderly American Gothic couple played by Michael Gambon and Frances de la Tour. Nobody reads Pilgrim’s Progress any longer, so I guess you take it where you can get it, but The Book of Eli’s plastic parable isn’t much more complex than Insane Clown Posse theology. Eli himself resoundingly fails to tag on the Good Samaritan’s pattern when witnessing a roadside hijacking; the most that can be said is that he leftovers chaste without visible effort. Our hero is mostly an Old Testament smiter of the wicked, conclusively -but for I forget when Christ said, “You lay that hand on me again and you will not get it back” at the Garden of Gethsemane.And on that note, GoArticles reader, do be so kind as to visit and bookmark my blog http://the-final-film.blogspot.com, where you can watch “The Book Of Eli” free online the minute it becomes available!

Screenwriting Tips

Article by Danek S. Kaus

Okay, you’ve finished your book, novel or true story, and you’d like to have it made into a movie.

Perhaps you’ve read some books on screenwriting or taken some classes and you’re thinking about writing the screenplay based on the book.

If so, there is something you must keep in mind. You will have to remove much of the content of your book that took you months, perhaps years to write. You may balk at the concept but you must do it.

A book can average 200 – 500 pages and contain 60,000 – 200,000 words. An average screenplay runs 90 – 120 pages, much of it white space, and has about 20,000 – 25,000 words. That’s quite a vast difference.

How do you manage to get all of your story into a screenplay? In most cases, you don’t. It’s a sad but true fact.

That said, what do you cut out?

One step is to keep most of the major scenes and cut those smaller, less important ones. Go through your book and look at it with an eye to what is critical and what is less important.

Do the same thing with dialogue. Keep only what moves the story forward.

Eliminate some or all of the subplots.

You can eliminate some of the characters or combine several of them into one person and let that person serve in the role of what those varying characters did in your book.

And while you’re at it, get rid of any lengthy character descriptions. In a screenplay they are not only unnecessary, they are counterproductive. In screenplays, character descriptions should be purposely vague to give more casting options.

Don’t describe someone’s height, unless it is critical to the story, hair color, eye color, flesh tones, etc. The more specific the description is in a screenplay, the harder it will be to find a leading acting to fit the role.

And finally, don’t mention the race of the character, unless it is an essential part of the story. For example, a police detective can be of any race, unless the detective’s race is an essential part of the story. For true stories, of course, casting directors need to know the race of each person to make it closer to reality.

If you do these things, the more successful you will be when you decide to turn a book into a move.

Screenwriting Tips

Article by Danek S. Kaus

Whether it’s a true story or a novel, most authors dream of having their book become a Hollywood movie.

In fact, a high percentage of movies started out as books, comic books or graphic novels. According to Internet Movie Data Base, over 22,000 movies have been made from books. So far.

If this is your dream, read on. One way to increase your chances of having your book turned into a movie is to write the screenplay version of the book. Producers prefer reading script to reading books because they take less time to read. Most scripts are 90 – 120 pages, with a lot of white space.

If you’re thinking about writing your own screenplay, here are some things to keep in mind:

1. You must write the proper length (see above). Scripts that are too long or too short are immediately thrown away.

2. You must learn screenplay format. There are books that teach this. If your script does not follow proper format, it will be tossed without further consideration.

3. You must get the Hollywood reader’s attention in less than 10 pages. This may mean adapting the beginning of your story. If you don’t get their attention and interest soon, they move on to the next script.

4. A screenplay can only contain what can be shown on the screen — action and dialogue. Unlike a novel, you can’t write about what the character is thinking. But you can reveal their emotions and thoughts through action and dialogue.

5. Every scene must move the story forward in some way.

6. Don’t “direct” the script. Don’t put in camera angles or suggest particular songs to play in the background. That is the director’s prerogative.

7. Consider eliminating subplots and combining two or more characters into one, that is, create composite characters, if there a lot of people in your book.

8. Keep the dialogue short. Novels have more freedom in that regard.

9. Watch lots of movies with the intent of noticing what works and what doesn’t. It will help you become a better screenwriter.

10. Realize that a book is not a movie and a movie is not a book. They have different needs and different rules. Keep this in mind and you will be more successful at adapting your book into a movie.

Danek S. Kaus is a produced screenwriter of an award-winning film called “The Ante,” which will be out later this year. He was recently hired by a movie company to adapt a book for the big screen. Learn how you can turn your book into a movie at http://yourbookintoamovie.com/ Read his blog http://yourbookintoamovie.blogspot.com/

Screenwriting Tips