‘You’re too early.’ This is probably not a phrase we use much with our kids. Wouldn’t we love it if they started studying for exams, packing for trips and planning Christmas presents early?


However, when it comes to writing, kids often start early – and it is NOT a good idea. It probably means their writing moves too slowly and is full of padding. Here are three examples:


1) Story Starts


For some reason, people seem to want to start stories at the beginning of the day, or the start of holidays or even (for autobiographies) at the moment they were born. Yet, often this is a boring time.


TOP TIP: Start much LATER when things get interesting – not at the start of the day. Then ‘backfill’ who and why you are there as the action unfolds.


Before: I was really excited when I woke up because today was the first day of the school holidays and we were going to Sea World. I raced into the kitchen and gobbled down breakfast and then headed back to my room to pack. I put in three pairs of bikinis and two bottles of sun lotion. At last we all piled into the car and headed for the airport. I couldn’t wait to see the dolphins and go on the Super Splash ride.


After: ‘Buckle yourself in tight,’ said the attendant. ‘This ride goes at 120 kilometres an hour.’


I gulped and nodded. All my life I’d wanted to go to Sea World and ride the Super Splash roller coaster. Now we were here. [Note: Backfill]


My sister locked down the safety bar, raised both arms into the air and grinned at me.


‘Dare you,’ she said. ‘We ride this thing no hands.’


2) Dialogue


Writing dialogue is another place when writers can start ‘too early’. Normal conversations often begin with cliches and standard questions. This is a getting-to-know-you time, when people are looking at you, reading your body language and reacting to your tone of voice. Words and what you are actually saying take second place. How many times have you heard and said this:


‘Hi, how are you?’


‘Fine thanks.’


If someone actually answered the question with a list of their ills, you would think them very strange. In fact, I’ve even gone to a doctor and when she asked ‘How are you?’ I said I was ‘fine.’


TOP TIP: In writing, we ‘cheat’ when we record conversations. We leave out all the getting-to-know-you cliches and cut to the core.


Before: ‘Hi Jackie, how are you?’ said Mike


‘I’m really good. How are you?’ said Jackie.


‘Fine. What are you doing?’


‘Nothing really, but I was thinking of going to the movies,’ said Jackie.


‘Good idea,’ said Mike. ‘I’d like to see a movie. Can I come too?’


After: ‘Hey Mike, I was thinking of going to the movies,’ said Jackie.


‘Great idea,’ said Mike. ‘Can I come too?’


3) Skip the Travel


Ever noticed in the movies we never see the hero travel, the movie just cuts to the scene outside the hotel or the house when he/she arrives? We should try and do the same in our writing. Travelling is boring, you don’t have to document it all.


TOP TIP: Don’t travel – just arrive!


Before: We all piled into the bus and Michael told funny jokes all the way and Chris and Jeremy and I ate all the sweets we’d packed until we felt sick. Then we stopped at a roadside cafe and we all ordered hamburgers but the chips were cold and everyone complained. We drove for nearly three hours and we were all really tired when at last we arrived at the ski fields.


After: The snow lay thick and soft on the slopes. Three hours of travelling and I thought I was tired. Yet the minute I felt the crunch of snow under my boots, I could hardly wait to get moving.


If we detailed every single thing in our lives, from the time we opened our eyelids, yawned, turned over in bed, mumbled, yawned again… it would probably take a whole book just to cover a few days. Good writing focuses only on the highlights (and low times), of lives, not the boring and ordinary. Show your children this and see their writing skills – and their confidence – forge ahead.


(C) Jen McVeity, National Literacy Champion.

The fun Seven Steps to Writing Success program, by successful author, Jen McVeity, is in 900+ schools. Suited to the home school curriculum & gifted children, it has rapidly increased students’ writing skills and enjoyment. Visit http://www.sevenstepswriting.com for top writing tips and activities – more in the free Parent Newsletters. Click on ‘Sample’ tab for a free Story Starters Worksheet.

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www.firstlightvideo.com You’ve learned the basics — the three-act structure, an understanding of theme, an ability to start creating dimensional characters. Now you want to go deeper, broader & expand your tools for creating great scripts. In this three-part series, script consultant & screenwriting teacher, Dr. Linda Seger, takes you to another step, to further integrate your story, theme & characters. If you’ve learned the three act structure, you may be ready to try variations on the basics & simply create scripts that are more focused, with more momentum. What are other ways that the three-act structure can be used? How does a writer learn to juggle the difficult elements in non-traditional structures? This program discusses the three-act structure in scenes and scene sequences. It discusses how to use structure to give you stronger turning points (surprising reveals, twists, turns, scene transitions) and non-traditional structural forms that have created such great films as Pulp Fiction, Crash, Ordinary People, Before the Rain & Sleepless in Seattle.

The Writers Store

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Is it okay to write in screenplay format in a short story contest? It doesn’t have any rules or regulations against it, but how good are my chances of winning? Would you still judge my story like every other contestant?

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I have a story idea which I *think* I want to take final form as a film. Is it generally a good idea to write stories as short stories first, and then convert them–or should I dive right into the play?
I’ve written some stories, a lot of poems and essays, and 4 pages of a screenplay. I enjoyed righting the screenplay but couldn’t finish it because it was someone else’s story and I couldn’t get into it.
I’d love to know what you guys normally do in this situation.

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Writing Treatments That Sell: How to Create and Market Your Story Ideas to the Motion Picture and TV Industry, Second Edition

From Library Journal
Walter’s name is synonymous with excellence in motion picture screenwriting. The guru of the completed script (he previously wrote Screenwriting: The Art, Craft and Business of Film and Television Writing, LJ 11/15/88), he here offers a tour de force of information for everyone who has ever contemplated writing a movie. While most how-to titles dwell on the three-act structure, strong character development, and other technical skills, Walter urges writers to dra (more…)

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